Getting the right equipment to ensure you add value to your production can be difficult, especially when there are so many products available that all seem to be offering different solutions. Creating moving shots can be done in a variety of ways by using products such as jibs, cranes, tracking dollies, sliders or stabilizers, the key is identifying which item is going to be best suited to your requirements and which version would be the best to purchase.
When looking to purchase grip and support systems there are now a variety of different options available to the dedicated cameraman and this potential minefield of different equipment, at varying prices, can seem daunting and confusing at first. Whats the difference between a shoulder support, steady mount and a stabilizer? Are slide rail systems really the best tracking option for my camera? Can I put a DSLR on that mount?
In 1999 research began at Roke Manor Research Ltd., a company with over thirty years of vision processing expertise. Led by Dr. Paul Hawkins and funded by The Television Corporation, the concept of Hawk-Eye was born.
If you have ever worked with 19 racking you probably have the scars to prove it. From its inception in the 1930s to the present day the 19 rack has hardly evolved. Standards organisations, from BSI, ISO ANSI and DIN all have their own take on the 19 rack and, as you all know, you never could get that Dell server in the HP rack.
Live music events are big business. Major artists can expect millions of pounds to be poured into full scale productions where the ticket prices are as high as audience expectations.
The best production you've ever created is in the can. It's time to match your masterpiece with an equally impressive musical soundtrack. But where to start? It's time to dispel the myth that music licensing is complex or expensive and to understand what options are available to you.
Nearly twenty years ago I saw one of the first SADiE Digital Audio Workstations, which were just starting to make their mark as the first cost effective computer sound editor. I was so impressed with the concept that I immediately wanted one, even though I had no professional use for it whatsoever
When I first started approaching people in the UK with Brainstorms Virtual Studio software I was surprised to have them shake their heads vigorously and explain that virtual studio systems were far too expensive and too difficult to set up and run Coupled with that was the lack of realism and whos using them?
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