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Delivering in all conditions with a Petrol Bags raincover
Autumn in the Czech Republic is damp and foggy, and the higher the altitude, the more piercing and rainy the climate becomes. At an old, remote mill 40 km (25 miles) away from Prague, sludge and mud are everywhere while moisture penetrates the bones. These are the filming conditions on the main set of the psychological thriller Cold Sunday.
Tags: iss076 | petrol bags | rain cover | cold sunday | all conditions | review | rain | resistant | cover | waterproof | camera protection | Ray Burns
Submitted by Ray Burns Read this article in the tv-bay digital magazine
Following the Ravensbourne 3: Ruth Matos manages her time
During the past three months at university I was extremely busy with my projects, and unfortunately had to give up a lot of outside opportunities that came along. As I am in the third year of my course I had to give priority to my university projects. Nevertheless I had a hectic schedule and had to be good at managing my time.
Tags: iss076 | ravensbourne | student | projects | course | university | time | management | students | following the ravensbourne 3 | Ruth Matos
Submitted by Ruth Matos Read this article in the tv-bay digital magazine
Final furlong of exhibition season with Peter Savage
Well, here we are again, approaching the final furlong of exhibition season having back-to-backed BVE and CABSAT, and now planning NAB and, yes, my liver feels as though it is approaching the final fence at the Grand National.
Tags: iss076 | azule finance | exhibition season | exhibitors | nab | cabsat | bve | preparation | Peter Savage
Submitted by Peter Savage Read this article in the tv-bay digital magazine
Cameras, conversations and conversions at Camera Diner with Teranex
Every Thursday evening, around 500 viewers tune in online to Camera Diners live show getting a unique look at the latest in film and still camera technology, as well as exclusive interviews with some of the imaging worlds biggest names. The whole thing is streamed live from a basic set-up in Oxford, England.
Tags: iss076 | camera diner | teranex | ATEM 1 M/E Production Switcher | conversion | streaming | live | Blackmagic Design | 2D processor | Paul Genge
Submitted by Paul Genge Read this article in the tv-bay digital magazine
Crowd pulling at BVE
There is no better crowd puller at a trade show than a stand using equipment from multiple manufacturers being used in way it will be once unpacked by the customer.
Tags: iss075 | broadcastshow | bve | stand set up | sony | videosys | rts | atomos | marshall | cache media | thinking space | protech | workstation specialists | autocue | polecam | TV-Bay
Submitted by TV-Bay Read this article in the tv-bay digital magazine
NAB is for soothsayers, trendsetters and people with roadmaps
Prototypes, alpha products, demos and proofs of concept: NAB in Las Vegas is all about future innovation. Will Strauss picks 13 stands that you must visit this year.
Tags: iss075 | unlucky for some | NAB | stands | must-see | canon | red digital cinema | kinefinity | grass valley | nhk | chyron | gopro | axle video | pixel power | red giant | review | snell | Will Strauss
Submitted by Will Strauss Read this article in the tv-bay digital magazine
Achieving the critical link in live HD deployment
As employees of a facility service provider for TV stations, networks and corporate businesses, we at Actua Films understand better than most that in todays broadcast world, its imperative to get everything done at lightning speed.
Tags: iss075 | actua films | geneva | hd production | live-link | Patrick Coenen
Submitted by Patrick Coenen Read this article in the tv-bay digital magazine
Live production for multi-platform delivery
Live event television, whether it is sport or music and entertainment, has always made serious demands of production technology. At Megahertz Broadcast Systems we have been building outside broadcast trucks for some of the worlds most demanding customers, for more than 25 years, so we can perhaps help the conversation by talking about some of our experiences.
Tags: iss075 | live production | multi platform delivery | megahertz broadcast systems | multiple outputs | racetech | Steve Burgess
Submitted by Steve Burgess Read this article in the tv-bay digital magazine
Dick Hobbs looks at intellectual property rights
In my column last month I wrote about the Tolkein sort of troll. This month I want to look at another sort: the ones who acquire portfolios of patents not with the intention of making anything useful, but simply to try to extort money from those who just want to earn an honest buck.
Tags: iss075 | troll on | intellectual property rights | RED | Dick Hobbs
Submitted by Dick Hobbs Read this article in the tv-bay digital magazine
Alex Fine: Following the Ravensbourne 3
A lot of young people studying film production such as myself are always looking to set up as a film production company. We do little jobs where we make studio diaries for young (or old on the rare occasion) musicians; low budget music videos, [very] short films about nothing in particular, or corporate videos with clich© dolly- moves and scratchy sound.
Tags: iss074 | alex fine | ravensbourne | student | production company | setting up | university | starting out | Alex Fine
Submitted by Alex Fine Read this article in the tv-bay digital magazine
What you see is what you get? Doubtful!
The colour you see is not necessarily the same colour experienced by someone else looking at the same thing. It all depends on the viewer and the viewing conditions as well as the actual colour of the thing. People involved in broadcast, video editing and movie colour grading are probably unlikely to have been subjected to a compulsory Ishihara colour vision test.
Tags: iss074 | color | colour | broadcast | ishihara | test | patterns | sight | vision problems | pixel-scope | cel-soft | Robin Palmer
Submitted by Robin Palmer Read this article in the tv-bay digital magazine
Ask the experts: What lens?
When choosing the right lens for your project, there are a huge range of options to choose from that depend entirely on your individual project and your needs. You need to think about the quality of filming you require, where the content will be placed, what camera you will be using to shoot it and how you plan to store it before being able to make a sensible choice. And with the emergence of 4K technology and the possibility of publishing content online, the range of choices becomes even greater. Where on earth do you start?
Tags: iss074 | ask the experts | what lens | lens buying guide | general use | lens | value for money | 4k | digital | mount | procam | Paul Sergeant
Submitted by Paul Sergeant Read this article in the tv-bay digital magazine
Sony cameras and Canon EF Lenses being used to great effect
With the immanent introduction of the F5 and F55 from Sony, perhaps we should take look back on the fantastic work done by its predecessor the PMW-F3 in the past year.
Tags: iss074 | mike tapa | F5 | F55 | sony | lenses | canon ef | PL mount | FZ mount | privates | bbc1 | kangaroo dundee bbc2 | paul otter | andrew graham brown | Mike Tapa
Submitted by Mike Tapa Read this article in the tv-bay digital magazine
Gekko Kelvin Tile LED REVIEW
I like LED lighting. I know there are a lot of people who tell us that it can't produce the wide colour gamut of Tungsten, and I agree. But it’s getting close and the shear ease at which you can set them up and control their brightness, not to mention the lack of heat and the ability to run them for hours off a battery for me out ways the possible colour issues.
Tags: iss074 | jon pratchett | gekko kelvin tile | LED | review | aston villa | interview | green | lighting | broadcastshow | Jon Pratchett
Submitted by Jon Pratchett Read this article in the tv-bay digital magazine
Bob Pank busts the cloud!

Too may of us can remember the Eyjafjallajokull volcano incident that stopped thousands of Europeans travelling back from NAB 2010. After a long show in the desert many were looking forward to home, real beer and green green grass. But the transport system that had always worked so well was out of commission, and suddenly it was clear that nothing could be done except keeping in touch with the airline, and hoping.

Tags: iss074 | the cloud | workflows | tv production | online | users | Bob Pank
Submitted by Bob Pank Read this article in the tv-bay digital magazine
The Autoue Motion Pro camera stabiliser

The Autocue Motion Pro camera stabiliser is a brilliant piece of kit for getting high movement shots whilst also maintaining the ability to pan/tilt with ease. It is light compared to similar functioning stabilisers however prolonged use will quickly tire out your arm due to the manner in which you hold it with one hand at almost arms length but that said, it’s far less tiring than similar steadicams such as a Glidecam.

Tags: dvuser | autocue motion pro stabiliser | stabilizer | matt lyne | pan | tilt | camera | Matt Lyne
Submitted by Matt Lyne
The evolving face of post production

As post-production continues to evolve from a predominantly bricks and mortar operation to an increasingly mobile one, new business and financial models are required.
Tags: iss073 | post production | creative cloud | soho | workflow | after effects | final cut | pay as you go | hire software | assimilate store | Will Strauss
Submitted by Will Strauss Read this article in the tv-bay digital magazine
Robin Palmer and why flashy programmes are not so good?

Ever since the 1997 Pokmon phenomenon when hundreds of Japanese children were struck with epileptic fits provoked by a series bright red flashes in a TV cartoon programme broadcasters have become only too aware of PSE.
Tags: iss073 | flashy programmes | red flash specification | PSE problems | PSE test | Ofcom | Robin Palmer
Submitted by Robin Palmer Read this article in the tv-bay digital magazine
Trends that could bring a much needed change to post-production

There is hope for mid-sized post-production companies in 2013 – from talent to tax – as Peter Savage explains.
Tags: iss073 | post-production | uk government | final cut pro x | talent | Peter Savage
Submitted by Peter Savage Read this article in the tv-bay digital magazine
Professional Video Editing Just Got Better

Endorsed by twenty five thousand Facebook fans, six industry awards and thousands of new users through the trial download and active forum communities, Autodesk, Inc.,announced that the new Autodesk Smoke 2013, professional video editing software is now shipping.
Tags: iss073 | professional video editing | smoke | autodesk | 2013 | autodesk inc | editing software | national association of broadcasters | vegas | 3D | Mark Strassman | chroma keying | iMac | Thunderbolt | TV-Bay
Submitted by TV-Bay Read this article in the tv-bay digital magazine
Ask the Experts: What Workstation?
Investing in a new computer workstation or high end PC for use with digital video/or and media production can be a daunting task. With so many different manufacturers to choose from, and with a practically endless list of components to select from customers can be left with literally millions of possible choices.
Tags: iss073 | workstation specialists | high end pc | ask the experts | guide | buying | processor | Xeon | graphics card | NVIDIA Maximus | top tips | 64 bit | Mike Leach
Submitted by Mike Leach Read this article in the tv-bay digital magazine
Call of Duty Black Ops II: World Exclusive First Look Streamed Live from Gamescom
I work a lot in live online broadcasting, and backup systems are top of mind when designing any live event. Being off air for any reason is unacceptable, so I build systems knowing that should something fail, I can easily reroute the signal or switch to another machine.
Tags: isso72 | blackmagic design | streaming | ultra studio 3D | hyper deck studio | prores | wirecast | xsplit | xbox | gamescom | Jon Pratchett
Submitted by Jon Pratchett Read this article in the tv-bay digital magazine
Twas the issue before Christmas;
As its nearly Christmas, I figured, what better way to honor the end of anther year than to celebrate everything that has gone before? To do that, Ive picked my favourite production technology innovations of 2012. But, as were fast approaching the festive season, Ive compiled them in the form a Christmas shopping list. Yes, I know. Its genius. Why has no one ever thought of this before? They have? Oh well. Its too late now. Hopefully, there should be something here for everyone in your extended family (assuming your extended family is either ensconced in the television industry or extremely weird).
Tags: iss072 | aframe | aja ki pro quad | blackmagic cinema camera | sapphire edge | canon c500 | libec swift jib50 jib | kino flo celeb 200 | gopro hero 3 | sony pmw-200 | Will strauss
Submitted by Will strauss Read this article in the tv-bay digital magazine
Streaming Part 2
I thought it was about time that I gave you all a little update on some of the kit I have been using and testing of the past few months. So here are a couple of updates for you starting with Matrox MC100
Tags: iss070 | matrox mc100 | blackmagic | matrox microquad | multiviewer | presonus | Jon Pratchett
Submitted by Jon Pratchett Read this article in the tv-bay digital magazine
Autocue Production Suite at BroadcastShow
The Autocue Production Suite (APS) is a single, integrated system designed to replace traditional, individual broadcast devices. When combined with our newsroom, prompting and production applications, it offers a cost-effective end-to-end workflow solution. Weve been working with BroadcastShow over the last few months to trial the system in a live studio environment and to test and deploy new functionality ahead its full launch at IBC2012.
Tags: iss070 | autocue | broadcastshow | production suite | Neil Hutchins
Submitted by Neil Hutchins Read this article in the tv-bay digital magazine
Ubiquitous Cloud at IBC
It was one of those IBCs that was more consolidation than innovation. There wasnt any one product or technology that stood out as a game changer. There was more evidence of 4K being pushed as a more realistic alternative to 8K and more of the must-have 84-inch 4K TV screens.
Tags: iss070 | cloud | ibc 2012 | ibc | harmonic promedia suite | nagra medialive | mpeg-dash | evs | a-frame | Bob Pank
Submitted by Bob Pank Read this article in the tv-bay digital magazine
Pushing remote broadcast boundaries
Film and TV coverage as varied as the London 2012 Olympics and the BBCs Springwatch are raising the bar where viewer expectations are concerned. Bradley Engineering (BradEng) is a remote camera technology pioneer that has been at the forefront of meeting these expectations. TV Bay spoke to Bradley Engineering founder, David Bradley, about the latest additions to the companys portfolio and how they respond to remote camera technology trends. We go that extra mile, he explained. For instance, upgrading the camera but keeping the existing, durable housing means we can support our longstanding customers with up-to-date kit they know will last and last regardless of what they throw at it. Most recently weve been proud that our cameras have been used for coverage of Springwatch, the Queens Jubilee, the Olympic torch relay and the Games themselves.
Tags: iss069 | mfc | bradley engineering | netcam | springwatch | Miya Knights
Submitted by Miya Knights Read this article in the tv-bay digital magazine
tv-bay Questions
With a degree in photography and BBC trained I run my own camera agency LUTTRELL PRODUCTIONS LTD providing crew for TV and film, documentaries and advertising. I tend to do most of my work for the terrestrial broadcasters as well as some of the largest ad agencies but also work with up and coming directors.
Tags: iss069 | blackmagic | luttrell production | red | Giles Harvey DoP
Submitted by Giles Harvey DoP Read this article in the tv-bay digital magazine
Production Suite at BroadcastShow
We have been developing the Autocue Production Suite, which is designed to replace traditional, individual broadcast devices with a single, integrated system. When combined with our newsroom, prompting and production applications, it offers a cost-effective end-to-end workflow solution. Weve been working with BroadcastShow over the last few months to trial the system in a live studio environment and to test and deploy new functionality ahead its full launch at IBC2012.
Tags: iss068 | autocue | broadcastshow | live broadcast | production suite | Neil Hutchins
Submitted by Neil Hutchins Read this article in the tv-bay digital magazine
Beaten by branding
I should say right at the start that I very much like Pixel Powers James Gilbert. He is charming company, an excellent engineer and a good judge of wine. Yet, for all these admirable qualities, I hold him personally responsible for one of the greatest evils of modern society.
Tags: iss067 | pixel power | branding | james gilbert | squeezeback | advertising | miranda | michel proulx | Dick Hobbs
Submitted by Dick Hobbs Read this article in the tv-bay digital magazine
Big Fish, Little Fish, Camera-Top-Box
For whole swathes of people within the television industry the concept of digital production - and what we generally refer to as going tapeless is probably now considered slightly old hat.
Tags: iss066 | field recorder | s.two | cinedeck | convergetn design | nanoflash | aja kipro | ki pro mini | atomos | samurai | ninja | Will Strauss
Submitted by Will Strauss Read this article in the tv-bay digital magazine
3D audio - a dimension worth adding
Will Strauss looks at three technical innovations that could one day add even more realism to a TV or film soundscape
Tags: iss065 | doby atmos | Ambisonics | Transaural processing | binaural sound | roland CS-10EM | Will Strauss
Submitted by Will Strauss Read this article in the tv-bay digital magazine
Ask the Experts with Dolby
Dolby has recently been making waves in imaging with its PRM-4200 Professional Reference Monitor, but isnt Dolby an audio company?
Tags: dolby | iss065 | prm-4200 | Ian Lowe
Submitted by Ian Lowe Read this article in the tv-bay digital magazine
Are you out on the range
The main parameters to worry about in any stereoscopic scene are the most negative and positive disparity values. These numbers are usually expressed in percentage terms rather than in actual screen pixels. The distance between the numbers is the depth range. The depth budget is the maximum value this range can be allowed without being too uncomfortable for the viewer.
Tags: iss064 | bskyb | cel-scope 3d | 3d production | cel-soft | By Robin Palmer
Submitted by By Robin Palmer Read this article in the tv-bay digital magazine
STAYING AHEAD OF THE BBCS QUALITY CURVE
As director and filmmaker for Poor Kids and Poor Kids USA, I faced some specific technical challenges. Both films were commissioned by the BBC, which only accepts high-definition footage shot in data rates of 50 mb/s or higher. Since we would be going into the childrens houses and other low-light situations, we wanted a small camera........
Tags: iss064 | fast forward video | ffv | sidekick | true vision tv | bbc | final cut pro | fcp | prores | Jezza Neumann
Submitted by Jezza Neumann Read this article in the tv-bay digital magazine
Eye to Eye: Video over IP
Live video streaming via Internet Protocol is perhaps most familiar in the form of Skypes free-of-charge online videophone service. Skype is a very easy way for an on-location broadcaster to get a video contribution back to base. A safer and more conventional technique, as with a reporter-to-anchor interview, is to live-stream video via ones own IP encoder straight into the studio for immediate viewing over a terrestrial and/or satellite network. If time is not so critical, the story can simply be emailed as a file straight out of the reporters camcorder.
Tags: iss064 | streaming | ip | video over ip | ateme | blackmagic | atem | digital rapids | streamz | envivio | 4caster | haivision | kulabyte | harmonic | ncast | telepresenter | teracue | enc-300 | teradek cube | viewcast | David Kirk
Submitted by David Kirk Read this article in the tv-bay digital magazine
Syncing or swimming in Vegas......
And my first trip to America will be for NAB. In Vegas.
Tags: iss064 | product assistant | freelance | graduate | Emma Hay
Submitted by Emma Hay Read this article in the tv-bay digital magazine
Want to take the road?
When 3D Storm started the MINI LiveManTM project, the concept was to showcase the latest production systems developed by NewTek TM. Two key words: Compact, all-terrain. MINI cars were used at several occasions as OB vehicles. NewTek toured the United States with a MINI, then with a Smart, showing that there was no need of a truck to fit in production equipments. SIS LIVE also showed that a MINI Clubman could be mounted with an antenna to broadcast live.
Tags: iss063 | liveman | newtek | hd live production | 3d storm | Cecile Labarde
Submitted by Cecile Labarde Read this article in the tv-bay digital magazine
BVE 2012 in no particular order.......
If you read TV-Bay regularly, you will already be aware of the main trends in video and audio product development. BVE 2012 reflected these very accurately, notably the ongoing transition to file-based content capture and the growing interest in compact cameras. A good way to identify hot new products at any trade event is to identify which stands are attracting the biggest flock of visitors. Lets look at some of the key BVE crowd-pullers.
Tags: iss063 | bve2012 | aja | blackmagic | cameracorps | canon | cel-soft | eyeheight | for-a | holdan | datavideo | ianiro | jvc | newtek | nikon | ntp | panasonic | preco | roland | rosco | sienna | sonifex | sony | David Kirk
Submitted by David Kirk Read this article in the tv-bay digital magazine
Taking the pain out of collaborative editing
Broadcast and post-production companies face the daily challenge of delivering more for less both in terms of time and money. Whilst the industry has been quick to embrace the efficiencies of file-based workflows and enhancements in the creative editing process, the reality - for companies of all sizes - is that the effective and secure management of media data remains complex and expensive.
Tags: iss063 | media edit | era | Avid | Apple Final Cut Pro | Adobe Premiere | MXFServer | storage | Sean Baker
Submitted by Sean Baker Read this article in the tv-bay digital magazine
Eye to Eye: Whats new in lighting
The majority of modern digital video cameras and D-SLRs are capable of delivering high-quality images provided the lighting conditions are good. Attempting to shoot in low light introduces the risk of noise and limited depth of field. Whatever the claimed camera sensitivity, good lighting is as essential today as ever. The following is a short overview of video lighting products introduced in the past 12 months. It reads a bit like a fast-food menu. If you get bored with all the LED stuff, feel free to skip to the concluding paragraph.
Tags: iss062 | arri | adb | bebob | cinelight | dedolight | gekko | kino flo | litepanels | nila | pag | photon beard | prg | lighting | led | rotolight | anova | David Kirk
Submitted by David Kirk Read this article in the tv-bay digital magazine
How much RAM do I need to edit video?
When talking to video editors who are looking to get into editing for the first time, one of the questions Im asked most is, how much RAM should I have?
Tags: ram | editing | iss062 | final cut pro | premiere | Mark B Brown
Submitted by Mark B Brown Read this article in the tv-bay digital magazine
2011 wasnt all that bad for TV & Commercials, was it? So what does 2012 hold?
2011 was pretty depressing, reading the paper or watching the news was a miserable experience, and all in all, those who still have a job, or have a business should apparently be chuffed to bits!
Tags: iss061 | the look | post production | 3d stereoscopic | Thomas Urbye
Submitted by Thomas Urbye Read this article in the tv-bay digital magazine
Real-Time Frame Rate Conversion in a Tapeless Workflow
When content moved within facilities and around the world on tape or via live feeds, frame rate and format conversions were easily achieved using real-time hardware converters such as Snell's Alchemist Ph.C-HD. As broadcasters and content owners moved to more convenient tapeless workflows, which enabled them to lower their costs, save time and improve logistics, the frame rate conversion step remained a baseband island within the file-based processing flow.
Tags: iss061 | snell | fileflow | Alchemist | QuickTime ProRes HQ | Paola Hobson
Submitted by Paola Hobson Read this article in the tv-bay digital magazine
Review on the Autocue SSP17 Starter Series
The time has come. My home made autocue, although working well, needed to be upgraded. It had served me well for a couple of years, but I needed something a bit higher quality and slightly bigger.
Tags: iss061 | autocue ssp17 | autocue | prompter | mafrotto | Jon Pratchett
Submitted by Jon Pratchett Read this article in the tv-bay digital magazine
Ten Top Tips For OB Operators Fuel Economy
As fuel prices around the world hit a record high, every driver is looking for ways to squeeze as many miles as possible from every precious gallon or litre. If you are a broadcaster with a fleet of Outside Broadcast vehicles, how do you stop fuel overheads from rocketing and eating in to your hard earned profits?
Tags: iss060 | outside broadcast | ob truck | fuel prices | broadcast networks | bcnet | Tom Haye
Submitted by Tom Haye Read this article in the tv-bay digital magazine
The best job of the year so far!
I was incredibly fortunate and excited to be involved in the stream of the release of the new Call of Duty game, MW3, for the second year running.
Tags: iss060 | call of duty | cod | production assistant | Emma Hay
Submitted by Emma Hay Read this article in the tv-bay digital magazine
Whats new in video monitoring
The great majority of video monitoring displays in any modern broadcast presentation facility are LED-backlit LCDs. Reliable, space-efficient and economical on power, they produce excellent pictures for all but the most critical applications, usually in conjunction with one or more multiviewers to emulate a monitor stack.
Tags: iss059 | led-backlit | monitor | philips | dolby prm-4200 | preco cooltouch xp-2401hd | cooltouch rx-702hd | teletest cyclops hd | tvlogic 473w | tv logic lvm-074w | David Kirk
Submitted by David Kirk Read this article in the tv-bay digital magazine
Building an HD MCR for The Associated Press
Given that almost every television receiver sold today is capable of displaying full 1920 by 1080 pixel images, broadcasters around the globe are accelerating their investment in high-definition (HD) channels.
Tags: iss059 | atg | associated press | hd mcr | atg broadcast | Graham Day
Submitted by Graham Day Read this article in the tv-bay digital magazine
Time Saving Tips This Week EDIUS 6.
With all the talk of Final Cut Pro X, Premiere CS 5.5 and Avid Media Composer, some people are starting to forget about our much-loved EDIUS. Well, Editors Keys is about to launch a brand new EDIUS keyboard, so in honor of this new product, Im going to share some of the top EDIUS 6 Keyboard shortcuts.
Tags: edius | keyboard shortcuts | fcp | final cut pro | premiere | avid | media composer | iss058 | Mark B Brown
Submitted by Mark B Brown Read this article in the tv-bay digital magazine
Total Articles: 156 [1-50] 51-100 101-150 151-156
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