Control and monitoring are two of the biggest issues faced in playout operations. Broadcasters and playout providers want to be able to select precisely the equipment that they need and probably more so than ever, are now able to very accurately do that. But this, combined with the fact that previously largely static devices are now empowered by the introduction of IT thinking glue technologies being a prime example creates an issue.
To mangle a metaphor: The more things stay the same, the more they need to change.
A significant percentage of the global installed base of broadcast routers has stayed, more or less, the same many for more than a decade.
I should say right at the start that I very much like Pixel Powers James Gilbert. He is charming company, an excellent engineer and a good judge of wine. Yet, for all these admirable qualities, I hold him personally responsible for one of the greatest evils of modern society.
ATG Broadcast recently completed a major SD to HD upgrade for Arqiva broadcast transmission centre at Gerrards Cross, Buckinghamshire. The expanded system enables Arqiva to process and transmit four fully-operational 1080i HD channels as well as six new SD channels. It includes the installation and equipping of a server-based ingest suite, playout assembly facilities and four presentation desks.
ATG Broadcast recently completed a major SD to HD upgrade for Arqiva broadcast transmission centre at Gerrards Cross, Buckinghamshire. The expanded system enables Arqiva to process and transmit four fully-operational 1080i HD channels as well as six new SD channels. It includes the installation and equipping of a server-based ingest suite, playout assembly facilities and four presentation desks.
Video post-production has long been one of the fastest developing subsets of the broadcast business. It was among the first to lead the shift from hardware into software, bringing huge advantages in terms of affordability and ease of use. I can still remember the high cost, heavy weight and low quality of the early analogue tape to tape video editing systems. The expression 'colour comes later' returns to mind. IBC will see the introduction of quite a lot of new video-post kit including a respectable amount designed to handle 3D content which I will start off with.
The transition from cathode-ray tubes to flat-panel display devices for broadcast picture monitoring was a long time coming but is now almost complete.
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