At Frankfurt Airport, dreams of the future already come as standard: television and radio programmes are distributed all over the airport grounds site using IPTV. The existing network infrastructure is used as a basis here. The operating company, Fraport AG uses the IPTV hardware and software of manufacturer Teracue for its distribution.
Why do I need monitors? And why can't I just use my Hifi speakers?
What does a good studio monitor do?
So I just spend a load of money on speakers, stick them in my room and I'm Abbey Road, right?
So how do I set my monitors up correctly?!
So how does a speaker counteract these acoustic problems you've been talking about, in terms of design?
With the increase in bandwidth requirements for signal distribution systems, which infrastructure provides greater benefits copper or fibre? Can you explain why?
A vast amount of information exists out on the Internet that can be very helpful but also misleading and confusing on how best to protect digital content over time both from degradation of content and from piracy.
The engines are revving in the countdown to BVE North, the new event that is designed to serve the needs of the rapidly growing broadcast and production industry in the North.
What bandwidth would I need to allow on my network to reliably support IP communications and what other issues would I need to take into consideration? All this and more answered in this Q & A session
While its easy to be dazzled by the brilliance of visual effects on the big screen, the less showy side of film post-production often goes unrecognised. Here, Double Negative (known affectionately as DNeg) reveals how an array of Infinity|8 RAID systems and ATTO RAID adapters keeps all that amazing work safe and secure.
At this years NAB Show in Las Vegas, 3D solutions were still a hot topic but one emerging technology threatened to steal the show. In fact, the rapid growth of devices that support the Multichannel Audio Digital Interface (MADI) has more potential for simplifying broadcasting operations than perhaps anything else. But what exactly is MADI and why should we care?
For broadcasters and content origination facilities, a single issue with content or within the transmission chain can have an impact on millions of viewers. In some cases this can even lead to large financial penalties and affect commercial contracts. To guarantee uptime, minimize disruption of broadcast services, and keep revenue streams flowing, operators need to maximize the speed with which they can identify and resolve programming errors.
Distribution and Delivery are two elements of in the broadcast chainthat get taken pretty much for granted but both are highly important. My focus in this summary is on equipment and software introduced since IBC 2009 and in the run-up to NAB 2010.
Last time, we started this series with volume one of the most frequently asked questions on digital distribution and delivery. Herewith, we follow that with the cleverly titled: Volume Two.
To maintain differentiation in a competitive triple play market, the key operational challenge for telecommunications operators is how to efficiently deliver superior quality of service (QoS) levels.
The rapidly divergent pattern of broadcast market development resembles the branches of a fast-growing tree. But there is one crucial aspect in which the industry is quite obviously converging: the transition from video and audio to file-based content distribution and delivery.
As the Broadcast and Post industries continue to adopt file-based workflows, there has been an ever-increasing need for the implementation of technologies for the distribution of digital media
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