There is no better crowd puller at a trade show than a stand using equipment from multiple manufacturers being used in way it will be once unpacked by the customer.
The Autocue Motion Pro camera stabiliser is a brilliant piece of kit for getting high movement shots whilst also maintaining the ability to pan/tilt with ease. It is light compared to similar functioning stabilisers however prolonged use will quickly tire out your arm due to the manner in which you hold it with one hand at almost arms length but that said, it’s far less tiring than similar steadicams such as a Glidecam.
The Autocue Production Suite (APS) is a single, integrated system designed to replace traditional, individual broadcast devices. When combined with our newsroom, prompting and production applications, it offers a cost-effective end-to-end workflow solution. Weve been working with BroadcastShow over the last few months to trial the system in a live studio environment and to test and deploy new functionality ahead its full launch at IBC2012.
We have been developing the Autocue Production Suite, which is designed to replace traditional, individual broadcast devices with a single, integrated system. When combined with our newsroom, prompting and production applications, it offers a cost-effective end-to-end workflow solution. Weve been working with BroadcastShow over the last few months to trial the system in a live studio environment and to test and deploy new functionality ahead its full launch at IBC2012.
The time has come. My home made autocue, although working well, needed to be upgraded.
It had served me well for a couple of years, but I needed something a bit higher quality and slightly bigger.
For the uninitiated, OLED stands for Organic Light Emitting Diode, which, as opposed to LCD, works without a backlight and can therefore be very light and thin. This is an undoubted advantage. Unfortunately, its an advantage that comes at a price.
Cameras and camcorders are shrinking at such a rapid rate that a lot of today's established support devices are looking completely out of scale. In some aisles of the NAB 2010 Central Hall, visitors were at perpetual risk of colliding with excited demonstrators nipping hither and yon with hand-held stabilisers for DSLRs. Most were only for single camera 2D but watch out for the 3D redesign at IBC in September or at NAB 2011.
BVE2009 in London, February 17-19 offers UK-based programme-makers a useful opportunity to try out the latest video acquisition and production equipment ahead of NABshow2009 and its loud after-echo, IBC. The following outlines some of the new front-end kit likely to be on display at Earls Court.
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