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Its a familiar scenario: A client calls with an urgent transfer request. It may be a movie sourced at 23.98PsF that needs conversion for broadcast, and the client needs an HD version at 1080 50i with Dolby E audio and an SD program at 625 50i with PCM audio, as well. Or perhaps the content was shot at 1080 59.94i, but the client needs a 720 59.94p version for transmission. Or, maybe the client wants to replay a 1980s SD program series on a new HD channel. These jobs can become unexpectedly complex and time-consuming if content arrives in a less-than-ideal state.
Tags: iss052 | snell | scanning | 23.98psf | conversion | dolby e | pcm audio | blu-ray compression | dvd | mixed cadence | Dolby Guard-Band Alignment | stereoscopic 3D | Paola Hobson
Submitted by Paola Hobson Read this article in the tv-bay digital magazine
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